MusicsWeek: When did you first realize you had a passion for music?
DIWAN: Growing up between New York, the Dominican Republic, and Miami, I was surrounded by different cultures and sounds. Music has always been a part of my life, whether it was the Reggaeton blasting in the streets of DR, the hip-hop influence in New York, or the Miami club scene. I think I really realized my passion when I started experimenting with my own sound—blending Reggaeton, Dembow, Trap, and Latin House to create something that felt like me.
MusicsWeek: What’s the most important lesson you’ve learned in your music career so far?
DIWAN: One of the biggest lessons I’ve learned is that consistency and authenticity are everything. The industry moves fast, and trends change, but staying true to my sound and constantly putting in the work is what will separate me from the rest. You can have talent, but if you’re not putting in the effort, someone else will.
MusicsWeek: How do you stay motivated when things get tough in the industry?
DIWAN: I remind myself why I started. Music isn’t just a career—it’s my passion and my way of expressing who I am. Whenever things get tough, I go back to the basics: creating, vibing with my producers, and remembering that every big artist once had to fight through obstacles. Plus, seeing my supporters react to my music keeps me going.
MusicsWeek: Can you describe your creative process when writing lyrics?
DIWAN: It usually starts with a beat. When I work with producers they’ll cook up my ideas, and I’ll catch a vibe instantly. Sometimes melodies come first, and then I fit the lyrics; other times I already have an idea or a phrase in mind. I like to freestyle and then refine my lyrics so they hit hard but still feel natural.
MusicsWeek: How do you know when a song is finished and ready to be released?
DIWAN: A song is never really “finished”—you just have to decide when to let it go. I trust my ear, but I also listen to my team and producers. If the energy feels right and I can’t stop playing it, I know it’s time. I also test tracks with close people to see their reactions before making the final call.
MusicsWeek: What themes or messages do you find yourself exploring the most in your music?
DIWAN: I like to explore themes of success, ambition, love, and street energy. My music is about making people feel something—whether it’s turning up, feeling powerful, or just vibing to a real story. Coming from where I come from, I also want to represent my culture and show that you can make it by being yourself.
MusicsWeek: Who was the first person to believe in your music, and how did that impact you?
DIWAN: My close circle was always supportive, but working with established producers like OGDETREYUYELO and Menacious early on really gave me confidence. When people who understand the game recognize your talent, it pushes you to go harder. That belief in me helped shape my vision and showed me that I had something special.
MusicsWeek: How has your upbringing or background influenced your sound or style?
DIWAN: My sound is a direct reflection of my upbringing. New York gave me that raw, lyrical edge, the Dominican Republic gave me the high-energy Dembow and Caribbean rhythms, and Miami brought in that Latin House and club vibe. Blending all of that is what makes my music unique.
MusicsWeek: What kind of impact do you hope your music will have on your listeners?
DIWAN: I want my music to inspire and elevate people. Whether it’s making them feel like they can chase their dreams, helping them escape for a moment, or just giving them something to turn up to, I want my sound to be a soundtrack for their lives.
MusicsWeek: How do you keep your music fresh and exciting for both yourself and your fans?
DIWAN: I’m always experimenting and evolving. I don’t want to be boxed into one sound. Whether it’s mixing different genres, working with new producers, or bringing unexpected flows, I keep pushing myself creatively. I also pay attention to my fans—what they love, what they connect with—and make sure I’m giving them something fresh every time.
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